But with this surer footing came deeper expeditions into the timeless gestural language of big-C Classic rock, making, one of Smith’s most accessible and enjoyable records. But if, proves anything, it’s that Scarface is a world unto himself, the rare rapper whose utter musical weight, gravitas, and gravitational pull is so strong that an entire city’s aesthetic bends in his direction when he deigns to subsume it. Use of and/or registration on any portion of this site constitutes acceptance of our User Agreement (updated as of 1/1/21) and Privacy Policy and Cookie Statement (updated as of 1/1/21). 100 Greatest Rock Love Songs of the 2000s, Thank you for visiting my profile. By the end of the decade, they were on the hellish taxi ride home. The end result is impossible to categorize, which in modern times of rampant pigeonholing might just be one of the best compliments you could give. Le rock 'n' roll est né au milieu du XXe siècle dans le sud des États-Unis. Adam Levine - Stereo Hearts (2011) 29 Hoobastank - … Top des meilleurs films avec Alban Lenoir. Après deux premiers albums, "Showbiz" (1999) et "Origin of Symmetry" (2001), Matthew Bellamy, Christopher Wolstenholme et Dominic Howard publient "Absolution" en 2003 et assoient leur réputation grâce à des tubes comme Sing for Absolution et Times Is Running Out. –David Raposa, Listen: Jamie Lidell: “When I Come Back Around”, Before he would construct dream-pop anthems out of John Hughes’ celluloid teen angst, Anthony Gonzalez (and then-bandmate Nicolas Fromageau) gave us this behemoth of sound. Toutes les meilleurs chansons des années 70-80-90 et quelques une de plus Retrouvez tous les groupes de rock français des années 2000 avec la liste des groupes de rock actuels. Even the jaunty “Fake Tales of San Francisco” is drooling bile. What is so unique about The Fix is that, from a macro view, it doesn’t sound anything like a 2002-era corporate New York rap record, despite Kanye West’s perfect soul basslines and Neptunes guest production spots; Scarface’s lyrics are unchanged, the same stories from the South Side of Houston, the same engagement with the same drug game, the same unyielding honesty and unwillingness to sacrifice ideals. The slower-paced, ethereal qualities of “In Church” and “On a White Lake, Near a Green Mountain” hinted at the romance of future M83 tracks. The use of electric instruments along with acoustic instruments became prominent in the 80s. De nombreux genres et innovations y sont nés et se sont développés avant d'influencer tous les autres pays, notamment le Royaume-Uni et les autres pays européens. 1 2000 : « Breathe », Faith Hill Le titre de la chanteuse country Faith Hill a passé 6 semaines consécutives en tête du classement des meilleures chansons country de Billboard, … De l'"indé" rock travaillé, une belle voix un peu eraillée, des compos hyper accrocheuses et mélodiques. Franz Ferdinand : le rock écossais a fait vibrer les années 2000 Impossible de ne pas évoquer Franz Ferdinand . Whenever Lidell makes a not-so-subtle gesture towards his R&B forefathers, he does so with a healthy amount of polite disrespect—Multiply is seasoned with enough electronic chicanery seamlessly integrated into the mix to remind folks that the record was in fact sharing discography space with equally individual talents like Aphex Twin and Squarepusher. –Marc Masters, With the kind of crackling analog warmth a lot of listeners wish they got from Animal Collective, Yeasayer’s debut record established a demilitarized zone between some formerly opposite impulses: paranoid post-punk yelps and psychedelic, harmonized chants, noodly guitar riffs and ambient keyboard washes, electronic and acoustic instruments working in harmony. Adam Levine - Stereo Hearts (2011) 29 Hoobastank - … Charging, smoke-filled, and raw, it’s the tonal opposite of Nick Drake, whose Bryter Layter album cover is recreated on the front. U2: 'Beautiful Day' Although "Beautiful Day" was not U2's biggest hit on initial release, it has gained a … His peers want to inspire you, but sometimes, you worry Vitalic is trying to kill you. Yet as the album became untethered from the physical world, it still remained the benchmark form for artists who aimed to make a lasting statement. –Matt LeMay, Listen to Jamie Lidell’s earlier records—his aptly-titled solo debut, or his Super_Collider work with Cristian Vogel—and you hear a playful yet restless Jack-of-all-trades trying to find his voice. Preteen geniuses? We Love Life picked up where This Is Hardcore left off, shaking off the hangover to face whatever comes next. . What spirit? Born of an unlikely convergence of time, place, and circumstance, The Disintegration Loops has lost none of its overwhelming beauty in the intervening years. CAGE THE ELEPHANT Back Against The Wall, 2009. The vibe at beach parties or pool parties is at another level when good dance music is playing. Like many of the best bands of the decade (Animal Collective, LCD Soundsystem, the Knife), Deerhoof makes immediately identifiable music with seemingly scores of imitators—yet, nobody else has managed to produce anything quite like “Sealed With a Kiss,” or the Ravel-esque “The Forbidden Fruits.” If musical hybrids fell like low-hanging fruit in the ’00s, Apple O’ was a ripe, early masterpiece. The band was having a bit of a laugh at its own expense with the self-deprecating album title—this was their seventh record of impossibly thick, slow ambience, and here they expanded their palette of timbres and stretched out over two full CDs to let each piece breathe as deeply as possible. “Riot Van” is so elegant and detailed about the perils of the boys in blue it almost insists on soundtracking an Irvine Welsh novel. If New Weird America had actually existed, “This Is the Way” would have been its national anthem. slipped by relatively unheralded; with its baroque arrangements, shivery arpeggios, hushed vocals, and meticulous attention to other micro-sized details, , another occasionally maligned Nigel Godrich production, this is an acquired taste that impresses in slow drips rather than showy bursts. –Joe Tangari, Stars of the Lid: Requiem for Dying Mothers Pt.1, Scarface aficionados might question Facemob’s sole New York-focused Def Jam record as a representative of the artist’s best work. –David Drake, While the electronica push of the late-1990s was considered an epic fail well before 2000, it did accelerate the conversation between rock and electronic music. Adding another layer of poignancy, the distressed tapes were transferred to digital around the time of September 11, and the Brooklyn-based Basinski created a DVD version of the project, setting the crumbling music to a static video he shot of smoldering Lower Manhattan, an image also used for the CD covers. But for all of that weight, the distorted guitar-and-synth walls of run-to-your-grave epics “America” and “0078h” (which always seemed to me just as post-rock as they were shoegaze), there was real warmth to the album. The album’s centerpiece, the swaying 12-minute jam “Naki Kyoku,” actually begins in a reflective mood not far from Drake’s melancholia. Thank you. But Vitalic was almost punk, going at his ring-modded synths and acid squelches as if they were his first Sears-catalog guitar. But, as on the rest of, , Boris takes that inspiration and burns it away, leaving a trail of smoke rings that clearly spell the band’s name. Deerhoof are a case in point: the Bay Area quartet makes music that’s punk, but pop; noisy but pretty; thoroughly composed, but explosively performed. When Radiohead’s Kid A came out on October 2, 2000, many people headed to a brick-and-mortar record store and handed over $16 in cash to buy the album on CD—and if they wanted to listen to it on the go, they popped that CD into a Discman. Charging, smoke-filled, and raw, it’s the tonal opposite of Nick Drake, whose, album cover is recreated on the front. –Joe Tangari, Listen: Stars of the Lid: Requiem for Dying Mothers Pt.1, The Thermals’ third full-length is a cautionary tale about the dangers of a totalitarian, theocratic regime, and it could only have sprung from anger and frustration with the George W. Bush administration. From M.I.A. Like many of the best bands of the decade (Animal Collective, LCD Soundsystem, the Knife), Deerhoof makes immediately identifiable music with seemingly scores of imitators—yet, nobody else has managed to produce anything quite like “Sealed With a Kiss,” or the Ravel-esque “The Forbidden Fruits.” If musical hybrids fell like low-hanging fruit in the ’00s, was a ripe, early masterpiece. The credo opens Devendra Banhart’s first proper and only essential album and immediately delivers attitude and confidence, declaring Banhart’s prerogatives as an individual (beards, sharing, nostalgia, nature) and his aspirations for overcoming the mundane and mute. Voici quelques faits marquants de cette période. (adsbygoogle = window.adsbygoogle || []).push({}); Ballads in rock music have been hugely popular since rock music came into being. is notable for its confidence and its discipline—neither of which is a particularly flashy trait. I dwell in peace, I hope you do too. –Jason Crock, “The modern-day composer refuses to die.” So said your parents’ very own modern-day composer Frank Zappa (quoting Varèse), and though countless haters will try to convince you otherwise, originality is always possible. The slower-paced, ethereal qualities of “In Church” and “On a White Lake, Near a Green Mountain” hinted at the romance of future M83 tracks. Pitchfork is the most trusted voice in music. A true sleeper phenomenon, Jay Reatard’s breakout record is still creeping up on critics and fans well after its release. Voici donc à présent dévoilé dans son intégralité, le classement des 100 meilleurs albums de la décennie passée élus par les membres de notre forum : 01. He finally arrives there on the majestic closer, “Sunrise,” a rousing farewell for one of the most original bands of the last 30 years. –Joe Tangari. © 2018 Condé Nast. Intense patience is a hallmark of any great drone music; Wiltzie and McBride have patience in spades and bring a designer’s detailed touch to every sound they make to craft an ambient opus that’s as welcoming as it is esoteric. Michael Gira’s spartan production and strong editing distill the power of Banhart’s vibrato and vision while giving the songs the space such oddball beauties deserve. The space below showcases a comprehensive list of the best rock love songs of the 2000s. Blood Visions is a crossover in the best sense of the term, stealing the raucous energy and attitude of punk, the melodies of power pop, and the rough ingenuity of bedroom recording. Adding another layer of poignancy, the distressed tapes were transferred to digital around the time of September 11, and the Brooklyn-based Basinski created a DVD version of the project, setting the crumbling music to a static video he shot of smoldering Lower Manhattan, an image also used for the CD covers. The strong emotional quotient in modern rock love songs has been praised by music critics. He finally arrives there on the majestic closer, “Sunrise,” a rousing farewell for one of the most original bands of the last 30 years. For those about to form a band, they salute you. So even as technology continues to advance—and we perhaps gain the ability to beam music directly into our brainstems—these are the 200 albums from the 2000s that we will still have on repeat. It’s thoroughly original, from the gentle lilt of “Sovay” to the tidal rush of “Fake Palindromes,” the eerie murk of “A Nervous Tic Motion of the Head to the Left” and the Ravel-quoting bounce of “Skin Is, My.” When it all caves in, Bird will be there to play amidst the rubble, and you should join him if you can. Despite that standing, their carefully manicured and occasionally over-polite music tends to be respected by critics rather than revered. Cette nouvelle musique populaire auprès de la jeuness… Avec à leur tête les plus grands chanteurs de rock français comme Bertrand Cantat, ces groupes proposent des reprises ou leurs propres compositions à l'image des artistes émergents de la nouvelle scène rock française. –Grayson Currin, Listen: Devendra Banhart: “This Is the Way”, The world won’t listen. Arranged by Nico Muhly, who is quickly becoming indie rock’s unofficial house composer, they signal the album’s feeling of grave finality, implied by the title and reinforced everywhere on the album, from the contented sigh of Will Oldham’s singing to the far-away backing vocals of Dawn McCarthy, who drifts in and out of the album seemingly at her own will. Groupe rock populaire, meilleures chansons rock… l’année 2000 a été riche en événements musicaux. Daft Punk and Justice reveled in gloriously superficial properties of rock, the Aqua-Net, and motivational platitudes. 19/12/00 01h01 . –Joe Tangari. Over the next decade, the sequencer would become a common sight on rock stages, and a legion of DJs (especially the French) responded in kind by infusing house-music juggernauts with the hyper-distorted wallop of power chords. CAGE THE ELEPHANT Back Against The Wall, 2009. That was the best bit: Now he could sing about girls and crushes and love. A true sleeper phenomenon, Jay Reatard’s breakout record is still creeping up on critics and fans well after its release. The world ends not with a bang or a whimper, but with a party. Arranged by Nico Muhly, who is quickly becoming indie rock’s unofficial house composer, they signal the album’s feeling of grave finality, implied by the title and reinforced everywhere on the album, from the contented sigh of Will Oldham’s singing to the far-away backing vocals of Dawn McCarthy, who drifts in and out of the album seemingly at her own will. Évolution du rock pendant les années 2000 Pendant les débuts des années 2000, on a pu assister au retour d’un son inspiré du rock … This might explain why. When the same band released In Rainbows in 2007, many of those same people headed to the internet and paid whatever they wanted, then listened to it on a computer file on their phone. But, as on the rest of Akuma No Uta, Boris takes that inspiration and burns it away, leaving a trail of smoke rings that clearly spell the band’s name. What lies ahead in the realms of rock remains to be seen. –Joe Colly, , Adam Wiltzie and Brian McBride create a deep pool of drone so heavy that its gravity pulls in sounds around it, swallowing them whole. As opening trifectas go, though, they don’t come much lovelier than “Venus,” “Cherry Blossom Girl,” and “Run.” –Mark Pytlik, Having completed the transition from acoustic bedroom folk to intricately orchestrated Beatlesque pop with 1998’s XO, Elliott Smith took a more understated approach with 2000’s Figure 8. Born of an unlikely convergence of time, place, and circumstance, has lost none of its overwhelming beauty in the intervening years. The lyrical gravitas of religious iconography and damn-the-man slogans gave the Portland pop-punk band renewed purpose, but it could have been just more hot air if it wasn’t married to such incendiary riffs, sexy, throbbing basslines, and urgent, earnest melodies. Your California Privacy Rights. Pop met experimental met rap met rock met electronic, … But listen to the entire album in one long, rapturous sitting, and it’s hard to imagine it being made by anyone but Boris. There’s joy in every byte of his tunes: the joy of gazing at girls, and gazing at light-emitting diodes, and telling the world how glorious they both are. –Chris Dahlen, The world ends not with a bang or a whimper, but with a party.